No Time To Play

Tag: people

Weekly Links #152

by on Jan.08, 2017, under News, Opinion

Hello, everyone! We’re having a slow week again, and most of it dedicated to interactive fiction as usual (sorry). For one thing, PC Gamer puts the recent IFComp in the spotlight, thus further cementing the genre’s return to the mainstream. And via K.D. we learn that Douglas Adams was working on a modern Hitchhiker’s Guide game right before his untimely death in 2001. It’s a bit of non-news, really, as the assets being lost means there’s no chance of reviving the project after all these years. Doubly so as those assets were likely made for VGA displays back in the day, which would make them unusable in the 4K era.

And that, of course, highlights yet again the folly of obsoleting perfectly good technology at the drop of a hat. Imagine if vinyl had been completely abandoned within the year from CDs hitting the market. No more support for turntables, nothing. Entire collections of old, rare music becoming completely useless unless people worked hard to maintain failing hardware until there were just no more dead units left to scavenge for parts. That’s what we’re doing with computer games, and before you ask why we should bother preserving some piece of shovelware, the answer is that you can only know a classic in retrospect. If you didn’t take care of it on time, sixteen years down the road — when you finally realize it wasn’t just another piece of shovelware after all — you can only weep for the loss. And that’s terrible.

Last but not least, my friend Kris is at it again with a batch of capsule reviews for tabletop RPGs and board games. Enjoy, and see you next time.

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Weekly Links #150

by on Dec.11, 2016, under Gamedev, News

Hello, everyone, and welcome to my last newsletter for 2016; after this one, I’m taking a holiday break. It occurs to me that I’ve been posting this thing for three years now — half the time that No Time To Play has been around — and I’m yet to miss an update, though many have been late or else not very interesting.

Speaking of which, after failing to sell for a year, even after a fire sale, this autumn I made Tales of Space and Magic free. And it still failed to attract any views, let alone money. So for the past few days I’ve been trying something new, namely to turn the original PDF into a Twine. Which works quite well, if far from perfect, courtesy of all the implicit cross-references (now made explicit). Let’s see if this new edition will fare any better.

In the way of community updates, Vintage Is the New Old has a new face, that makes it look a lot more readable and modern, if a bit same-y. Not as good is the news that textadventures.co.uk will close down unless a new owner can be found before March 1st. We’re talking an order of magnitude more people than there are on IFDB, many of them students using interactive fiction as a learning tool. To ask what famous games have been made with Quest misses the point. This will be a loss no matter how you look at it, and I know from experience that once broken apart, a community can’t simply reform elsewhere: it’s gone for good.

Moving on to game design, Mark Johnson of Ultima Ratio Regum fame posted an article on the private lives of NPCs, while Jimmy Maher concludes his series on Wings (the classic flight simulator) with an excellent lesson for game designers:

Those other flight simulators define realism as getting all the knobs and switches right, making sure all the engines and airfoils and weaponry are in place and accounted for. (…) Wings was a reaction against that aesthetic. Instead of building a game out of exhaustive technical detail, with no thought whatsoever given to the fragile human being ensconced there in the cockpit in the midst of it all, John Cutter asked what it was like to really be there as a pilot on the Western Front during World War I — asked what, speaking more generally, it really means to be a soldier at war. Michael Bate, a game designer for Accolade during the 1980s, called this approach “aesthetic simulation” — i.e., historical realism achieved not through technical minutiae but through texture and verisimilitude.

In other words: dear developers, games are for people. Get a life first.

Happy new year and see you in 2017.

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Weekly Links #149

by on Dec.04, 2016, under Gamedev, News

Aah, that’s better. I actually have a few links for you this week. But first, let me announce that Adventure Prompt now comes with a proper demo you can play. It’s not much, but it highlights all the important features of the engine. Not so much the feel of the authoring system, but that would be hard with an inherently interactive app. Special thanks to Kevin C. Redden for all the research on backpacking that I didn’t have room to mention in the game, and to everyone else for the interest.

In other news, my friend Sera is at it again with an article titled The Woman On The Cover: Becoming A Woman In A Man’s World. It may not sound like it’s about videogames at first, but believe me, it is — though it’s an issue that impacts all of society. As the owner of StoryDevs was writing just recently:

It’s fundamentally immoral to pretend our communities are apolitical. Silence is always a vote for the status quo, one that continues to be cruel and divorced from humanity’s best interests. If we’re to fix the issues at hand we need to be talking about them in all communities, not denying they exist or redirecting people to other places because “we don’t do politics here”.

Politics is always on topic in art spaces because the arts have always been affected by politics. And the times in history that the arts have been most endangered has often coincided with injustices against marginalised groups and political upheaval.

Amen to that. But for now, let’s move on.

Earlier this autumn, I mentioned a PICO-8 clone in development. In the mean time the project went through a name change, and now people are actually using it to make games. Which makes me feel a lot less guilty for not getting around to it myself.

Last but not least, I was just wondering how NaNoGenMo went this year, when this overview of one particular participant group crossed my Twitter timeline. And there’s quite a bit to see in there.

Until next time, keep an eye on new game-making tools.

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Weekly Links #145

by on Nov.06, 2016, under News

Hello, everyone. Somehow, in-between working feverishly on the new mystery project mentioned last time (to be announced Really Soon Now), I managed to gather a good handful of links anyway, half of which are even about game design! Let’s start with Emily Short writing about small scale structures in CYOA — something that can seem obvious, but it’s worth thinking about explicitly. Then we have Jay Barnson linking to a couple of older articles about the perils of adapting tabletop RPGs to computers. A long read, but very much worth it. Then, on a more political note there’s Rock, Paper, Shotgun analyzing how we encode gender stereotypes in videogames — literally. Don’t be that game developer, mmm-kay?

(On a similar note, Carolyn VanEseltine has some notes from a conference speech on Arab representation in games post 9/11. It seems to be a recurring theme this year, and things aren’t likely to get better any time soon.)

Last but not least, in the way of digital nostalgia, The Atlantic revisits dial-up BBSes, while Rock, Paper, Shotgun (them again) takes a last, long look at Wurm Online. And while the passing of an online virtual world is natural and unavoidable, if sad, it’s good to hear that alternate means of digital communication are still alive, even in the small. Because humankind needs alternatives more than ever.

Until next time, don’t be a sheep. Thanks for reading.

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Weekly Links #136

by on Sep.04, 2016, under Gamedev, News

Hello, everyone! Despite difficulties that nearly killed the event, Ludum Dare 36 took place last weekend. My friends Chip Caramel and Jimun were at it again, and came up with their best game yet. Check this out:

Around the same time, I was briefly involved in a Tumblr conversation about the point of videogames, and the consensus is what I’ve been pointing out for years now: that games express themselves through the way they interact with players, and unless a game mechanic is front and center, what you have isn’t a game. Read for details.

On a similar note, Alexis Kennedy of Fallen London and Sunless Sea fame explains why more content won’t save your game — a write-up that starts kind of abruptly, but has a lot to say by the end. And still in the game design department, here’s the first installment in a comparative history of videogames from the perspective of inventory systems. Knowing how tricky it is to make a good one, I say that’s as useful as it is unusual.

I’ll end with a little bit of history. Remember a while ago when Jason Scott recovered the source code for the original Prince of Persia? Turns out he’s been at it again, making available previously unknown alpha and beta builds of Karateka — Jordan Mechner’s other classic. Game designers can now see how the seminal beat’em up took shape, and that’s no less important than writers being able to read the early drafts of famous novels or poems from centuries past.

On that thought, I’ll leave you enjoy the Sunday. Have a great next week.

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Weekly Links #130

by on Jul.24, 2016, under News

Hello, everyone. It turns out I missed a link last week, but it’s too good to pass up. Via Roguebase we get this interview with a co-author of Rogue, and it’s a wonderfully refreshing read. And via Vintage is the new old we learn of a new retrogaming zine, that provides a lot of content for a free publication. It’s clearly aimed at a North American audience, which kind of leaves me on the outside, but YMMV.

Last but not least, there are many books out there on how to get started with game development. I even wrote one myself. Not many of them are aimed at kids, though, and this is where Anna Anthropy’s new book comes in. (Hat tip to Emily Short for the link.) Which reminds me that back in the day, all those Basic programming books were squarely aimed at children, with colorful, whimsical covers depicting friendly computers as playmates, and full of references to whatever was popular in media at the time. When did game development turn all adult and serious?

Oh wait, I know: when the kids of the 1980s grew up. And that’s us. How did we manage to so thoroughly forget that programming was supposed to be a game?

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Weekly Links #129

by on Jul.17, 2016, under Gamedev, News

You know, it’s funny. Usually when I’m working on something not related to games, the newsletter tends to be pretty thin, since my attention is directed elsewhere. This week is an exception, and a big one at that.

Let’s start with news from interactive fiction, where there’s a new authoring tool on the block. After years in development, Texture was just opened to the public, prompting Emily Short to interview co-author Jim Munroe. An interesting experiment, but I’d rather explore the interface from Infocom’s Journey, as detailed by Jimmy Maher

Moving from IF to retrocomputing, via Vintage Is the New Old we get an interview with a C64 developer from Sweden — an intriguing history lesson. And from the same source, Nintendo launches a NES clone with dozens of classic games built-in… more than ten years after cheap South Asian clones of the legendary console went out of fashion. Good morning, big N. Last but not least, the world’s first graphical MMORPG (it ran on the C64 nearly 30 years ago!) has been open sourced, and they’re trying to get it running again. Specifically, the server, which is a rather thorny problem, for reasons both technical and legal.

To end with a trio of random links, the annual Procjam conference and gamedev event just announced its upcoming zine (with a call for submissions), and for fans of tabletop roleplaying there’s a new web-based tool to make rule supplements that look just like official D&D books. And knowing the kind of work that goes into good-looking RPG books, I can only appreciate the effort. Last but not least, let me highlight ComboPool, a Pico-8 game that manages to blend billiards with 2048, of all things.

Goes to show that limitations really do spur creativity. So be creative.

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Weekly Links #125

by on Jun.19, 2016, under Gamedev, News

Hello, everyone. Having at long last finished with a translation project that took me all spring and then some — way longer than expected — I finally had a few days to work on the desktop port for Tomb of the Snake more intensively. And it’s also taking longer than expected. Too much, in fact, for a project I won’t be able to monetize. At least it’s this far along:

It’s basically just an interactive mock-up at this point, but the framework is in place to add mouse support next, along with modal overlays like the help screen. I still don’t know what the cave levels will look like, or where to get all the icons for the game screen (it should be entirely playable with either mouse or keyboard). As for the inventory screen… more experienced game programmers dread coding them. But you can’t make a graphical RPG without knowing this stuff.

It will all have to wait, however. Got another game port in the works that’s both smaller and more likely to sell, then the book mentioned above. In the mean time, let’s see this week’s other news:

As announced three weeks ago, the Bring Out Your Dead game jam started yesterday, and as of this writing there are fifty entries, with nearly as many to come if the number of people subscribed is any indication, so I’ll wait until next week to highlight my favorites.

Until then, the same Emily Short just got herself an interactive fiction column in Rock, Paper, Shotgun, and her first article is about parser games with a reduced command set — a topic myself and others have also covered as of late. This is turning into a trend; hopefully something will come out of it.

Last but not least, it was great to learn that the issue of videogame preservation has now come to the attention of academia, and the article presents not just some issues I hadn’t thought about, but also some novel solutions. Tl;dr — Let’s Play videos may be more valuable than you think.

And speaking of game preservation, only yesterday I stumbled upon a site where you can play DOS games right in your web browser. Has it been two years already since DOSBox got an Emscripten port? My, how time flies…

Either way, sometimes living in the future is awesome. See you next time.

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Weekly Links #122

by on May.29, 2016, under Gamedev, News

Hello, everyone! After bringing the desktop port of RogueBot to a playable state, I went back and redid the original online edition as well, to make it look better and bring it more in line with the new version. And while the results aren’t perfect, it’s a good time to take a break and give another project some love.

In the mean time, we have an interview with two Greek game developers about adventure games, and a feature about the founders of Id Software now that they moved on. In the way of hands-on gamedev articles, you can read some musings on making failure fun, and some more on the subtle differences between user interfaces. And while the latter uses examples from interactive fiction, the lessons it teachers are widely applicable.

(Since I mentioned interactive fiction, it’s worth nothing that the XYZZY Awards ceremony was last night, and Birdland, a Twine game, basically took all. Haven’t played it yet, but it’s at the top of my wishlist.)

And from the same Emily Short, who is active as always, stay tuned for the upcoming Bring Out Your Dead game jam, an event where you can show off your works in progress that never went anywhere, but you think are worth seeing anyway. Amusingly enough, another very similar jam is running right now, and I already entered my visual novel intro Before the Faire, that I made two years ago but couldn’t finish, despite a good start.

Last but not least, lately I’ve been circling a nice little gamedev platform called sdlBasic, that I hope to use in an upcoming project. While lurking on their forums, I found a link to this list of art asset resources, unknown to me until now. One link in particular grabbed my attention: game-icons.net, a sizable repository of monochrome vector icons with a variety of possible uses.

But I have to look more closely into it first. Have a great week.

 

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Weekly Links #120

by on May.15, 2016, under Case study, Gamedev, News

Another week, another delay. If you were waiting for my latest text adventure, I’m afraid it’s still in beta-testing, for reasons outside of my control, and I’d rather not lose patience and release an untested game. Maybe if the delays continue. In related news, I started porting RogueBot to the desktop, something I should have done long ago. Got plans for another port as well, to be announced when it’s certain enough.

In other news, Vice magazine has an article about the importance of Doom, and Gamasutra is running a piece on action RPGs. The former makes familiar arguments, but the latter came up with a new one (for me at least): namely, that computer RPGs letting one player control an entire party misses the entire point of tabletop games, namely to let each player identify with their one character. And why bother with a party at all, since you lose the social interaction aspect in the first place? Suddenly, I’m seeing roguelikes and games like Morrowind in a different light…

(That said, I just have to point out that the original Diablo totally failed to keep the novelty level high, its generated dungeons lacking both variety and especially color.)

But this week’s big story is Eurogamer’s feature on Lionhead, occasioned by the legendary studio’s closure at the end of April. (Warning, long read.) And you know what? This may be Peter Molyneux and Fable we’re talking about, but the story of their ultimate failure is drinking game material. Take a sip every time:

  • unchecked ambition;
  • mistaking chaos for creativity;
  • months-long death marches;
  • brodude culture;
  • massive overextension;
  • poor quality control;
  • flights of fancy;
  • greed-driven financial decisions;
  • tone-deaf marketing;
  • executive meddling.

We’ve all heard this exact same story so many times by now, studios and publishers alike really have no excuse anymore. And still they refuse to learn. So be it then. But consider how many amazing games — games out of reach for a small indie team — simply never get made because of it.

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