No Time To Play

Tag: advice

Want cheaper games? Work less!

by on Jan.09, 2012, under Gamedev, Opinion

Monopoly Money

Well-known game developer Raph Koster starts 2012 with a 6-point guide to making cheaper games, to which the Rampant Coyote responds thoughtfully as ever. Here at No Time To Play, we are definitely interested in this particular topic, though we prefer to frame it as making games faster instead. Since time is money, that’s the same thing in the end: both come down to making games with less work. That’s especially important nowadays, as development times/costs are skyrocketing towards unsustainable levels (as Shamus Young points out at every turn).

But how can you do that? Let me add my own two cents first.
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Five things to consider when assembling a team

by on Jun.09, 2011, under Gamedev

Team Building Rochester, NY - Simon School MBA  (79)

One of the most frustrating and wonderful elements about modern games is that they usually require more than one person to make them. Back in the days of the Atari, a single person could make a game if they wanted and do quite well with it. Some modern developers are still able to do this. Cave Story was written, designed and programmed by one single person. But he took five years to finish his game, and not everyone is Daisuke Amaya.

What this means is that you need a team to create the game you want. Some of us may remember the ordeal of group assignments at school and work and groan at the thought of having to deal with and manage such an endeavor. But it doesn’t have to be bad. It can even be exciting. So what should we look for in a team?
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Seconded: Make Pong

by on Apr.12, 2011, under Gamedev

There is no shortage of gamers who want to make their own computer games. There is also no shortage of material on how to get started. But few have given advice as good as Jay Barnson’s: Make Pong.

As I pointed out previously, game development is hard work not because of the programming (as many seem to think), but because of all the other stuff that goes into making a game. The development process itself is not simple. Mr. Barnson points out many of the issues; but he still glosses over an important part.

Your game must end up in the hands of an audience.

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When “urgent” isn’t

by on Mar.10, 2011, under Miscellaneous

Patience

I was just reading about the making of Darkfall — a good read for any gamer who dreams of making their own MMO, and who isn’t? — when a particular bit grabbed my attention:

We quickly learned the greek word “avrio” which means “tomorrow”. Whenever there is a problem that needs to be fixed asap, the natural greek reaction is “avrio… avrio”.

That’s the wisdom of a millenia-old civilization for you. A bit of wisdom we have forgotten in our frantic drive for more. And “more” is the kind of god who demands human sacrifices… sometimes literally.

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So much for plans

by on Feb.07, 2011, under News, Off-topic

Sooo… I have good news and bad news. The good news is, I’m working on a new game. It’s too early to show you more than a screenshot, but it’s coming along nicely. What’s it about? Imagine a combination between Pac-Man and Robots, except with a few twists. It stayed in Limbo for a while, as I had the base game mechanic down, but no idea how to use it. Now I’m past that hurdle, it shouldn’t be long.

The bad news is, of course, that this post is late. You’d think that after four years and a half of blogging I’d know to prepare better. But nooo…

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Game-making tools, part two

by on Jan.24, 2011, under Gamedev

Artist Toolbox: Dean Russo / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54862.P1.L1 / SML

It’s only natural for a gamer to dream of making their own games. The good news is, the means for doing that are available to just about anyone nowadays. The bad news is, many people shy away at the thought of having to learn programming. And while that fear is completely unfounded, getting help as a beginner is of course useful.

In part one of this article, I mentioned a number of game-making tools that make game programming much, much easier than starting from scratch. This time I’m going to look at the kind that seeks to eliminate programming altogether, at least for the most part.

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Nothing wrong with programmer art

by on Jan.14, 2011, under Gamedev

Emerging Artist

The one thing I like the most about game development in the 21st century is that it’s possible to do it alone, like in the good old days. Developing alone means you have freedom to experiment and to do what you know is right, and as the indie market proves, that’s a good thing. But there’s a downside to it as well: you have to be good at everything. Graphics, programming, sound — it’s all on you. And it’s hard enough to become an expert at one of these things, let alone all of them.

The obvious solution, then, is to look for a co-developer. But what if you can’t find one from the beginning, or at all? In such cases, sound is usually the first victim; you simply omit it. But with graphics, it’s not that simple.

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Of games and stories

by on Dec.22, 2010, under Case study, Miscellaneous

Rogues Leaders: the story of lucasarts

So, I spent much of last week preparing and then running an RPG session. Normally, I suck at making up stories (believe me, I tried for years). But as a game master, I’m actually adequate, or so my players tell me. Which used to puzzle me: if static, linear storytelling is hard, interactive storytelling should be much harder, right?

It took me a long time to understand that it’s the other way around. With the imagination of other people helping you, it should be much easier (for reasons I will explain in a moment). But this conclusion raises another question: if that’s the case, why do videogames, as a rule, have such sucky stories that some people question whether they should try for stories at all?

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DOM events portability: not that hard

by on Dec.11, 2010, under Gamedev

the JavaScript Code

The browser is tempting as a game development platform, for a variety of reasons. But while output is pretty much standardized now that we have <canvas>, input is still a problem. Or so I thought.

That’s because people keep complaining how making DOM events work across browsers is a pain, blah blah. And for a while I listened to the complaints and just didn’t bother. But I should have.

See, I have this game called Square Shooter (also available as an Opera widget). Due to the nature of the gameplay, I need to track the position of the mouse inside the canvas. Easy enough, right?

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Secrets of a successful programmer

by on Nov.02, 2010, under Off-topic

Stone Tablet

I like to brag about my work, for the simple reason that I like, well, my work. But it usually results in people taking me for a much better programmer than I am. Then again, that might have something to do with the decent number of completed personal projects on my website: working software, complete tutorials, playable games… Although they are small stuff (after all, there are people out there who write operating systems for fun), they obviously count as accomplishments.

Now, if even such limited success seems to elude you, you may think people like me have some secret ingredient. But all I have is a number of common sense rules derived from (sometimes bitter) experience.

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