No Time To Play

Weekly Links #180

by on Jul.23, 2017, under News, Opinion

Hello, everyone. The big news this week is that after months of work the French interactive fiction community has a new home on the web, a modern website with a game database, tutorials and social networking features.

In the way of discussions about game design, we have an explanation of player-hating features of Dungeons&Dragons (via hyratel). Briefly put, it was originally a resource management game with — it turns out — some extra-hard play modes, that people later carried over without questioning the initial purpose. Moving to computer games, we have some words about user interface in adventure games, that echoes last year’s talk of narrow parsers. Last but not least, the inimitable Jonas Kyratzes talks about the texture of games, specifically how there’s a place for highly polished titles as well as rough gems.

Next we have a couple of interviews, one with Steve Cook about his 1000 Creators project, the other with David Braben, creator of Elite: Dangerous (via Gamasutra) — a disappointing, but remarkably insightful exchange.

Before concluding, I’d like to say a few words on game engine snobbery — a much-discussed topic in recent days. On the one hand, I have a good friend who won’t make her dream game in RPG Maker, otherwise an ideal match in every respect, for fear it won’t be taken seriously, and that’s a damn shame. I also routinely witness arguments on this subject in the visual novel community, and they’re as pointless as you might imagine. But this kind of snobbery can go the other way as well. Just look at the royal disdain with which the interactive fiction community has always treated not just homebrew games, but also less-known authoring tools that may not be quite as big and capable as Inform or TADS but still contain innovative features. Maybe that will change now that a homebrew game not just won the IFComp with high acclaim, but also single-handedly revolutionized IF interfaces.

But we’ve had enough negativity for one week, so I leave you in the company of videogame-inspired music.

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